Apocalypse Now Now

Posted: June 14, 2014 in Uncategorized
Tags: , , , , , ,

Do you think there really is a creativity crisis in the cultural media? I have been hearing that for a long time and it is true that reboots, remakes, sequels and prequels are on vogue nowadays in movies, videogames and books. There is also a rise on adaptations from one media to another and not always of the best quality (Dragon age books and Death Island books? Anyone? No? Then stay away from them). On the other hand we have witnessed some original stories coming out lately: movies like The Grand Budapest Hotel or Gravity or books such as Apocalypse Now Now while some of the greatest classics of all time have been based on pre-existing works, such as the Godfather. I really don’t think it is a problem about creativity, it is about franchises, which is something entirely different: as a producer your wet dream is to find a franchise which interests the studios and that the public will like; it really has nothing to do with the lack of imagination of the script writer Association, it has to do with an effort to make a complicated sector safer for the investors.

ANN

Strong points: Originality, narrative.

Weak points: Tries to tell too much, some events feel forced.

Apocalypse Now Now, written by Charlie Human (Highly suspicious last name if you ask me. It is like when your roommate tells you something like “I didn’t have sex with your Teddy Bear” before you even go into your room), tells us the story of Baxter Zevcenko, a teenage kingpin who controls the porn market of his school’s yard. When his kleptomaniac girlfriend is kidnapped by a notorious serial killer Baxter hires the help of a supernatural bounty hunter, starting a series of events that will take him to places that he only expected to visit in his worst nightmares.

Apocalypse Now Now shines for its original setting. Everything that we find and feels as fresh air in an age when the risks of originality are not easily taken. This version of South Afrika exceeds in craziness, darkness and magic in an alluring way which will have you reading onwards just for the sheer strangeness you find. The criminal societies which populate the Westridge high school are built in a way by which every one of them is different and the monsters that populate Cape Town have unique qualities in their design and in how they integrate in the human society that surrounds them. The world that has been crafted in this novel is unique and highly enjoyable.

The narrative is both fresh and alluring, managing a fast and captivating pace which fits perfectly with the story at hand. The author manages to change the speaking patterns and the vocabulary used by the different characters, creating through the dialog itself very different personalities.

Sadly (and this is something I never thought I would say) the novel has too many good ideas, which results in the author not developing them to their fullest potential. For example, the idea of a high school dominated by gags which act as if they were corporations, mafias or even the Nazi Party is an alluring idea which has many narrative possibilities, but sadly as soon as the next plot starts it is all forgotten and falls into obscurity.

Some events feel forced and clumsily fitted in just as a way to advance the story: Like the conversation by which Baxter finds out Esme has been kidnapped, which feels awkward and unnatural to say the least.

Apocalypse Now Now is an original novel which I highly recommend to the fans of the urban fantasy genre and t those readers that are looking for something new and fresh. Maybe it ain’t perfect but it is enjoyable and will give readers a good time.

Ok, so book review: check! Next item in the list: investigate the author. If you don’t heard of me in the next two weeks, call the Men in Black.

ALien
too… human

FINAL SCORE: 7/10

¡Hasta la próxima!

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